Look, I’m glad ‘12 Years [A Slave]’ got made and it’s wonderful that people are seeing it and there is another view of what happened in America. But I’m not real sure why Steve McQueen wanted to tackle that particular sort of thing.
[‘Fruitvale Station’] explains things like the shooting of Trayvon Martin, the problems with stop and search, and is just more poignant. America is much more willing to acknowledge what happened in the past: ‘We freed the slaves! It’s all good!’ But to say: ‘We are still unnecessarily killing black men’ – let’s have a conversation about that.
You cannot buy electronics with food stamps. You cannot buy cigarettes with food stamps. You cannot buy pet food with food stamps. You cannot withdraw money with an EBT card (food stamps).
Do you know what else you can’t buy with food stamps? Shampoo, soap, laundry detergent, toilet paper, paper towels, tissues, tinfoil, plastic sandwich bags, toothpaste, cleaning products, tampons, pads, over the counter medications (such as Tylenol, Ibuprofen, etc.), and anything else you can think of that you cannot physically ingest for nutritional purposes.
Do you know what you can buy with food stamps? Food.
Do you know what it’s like to scrounge for change to buy non-edible necessities, use a credit card and EBT card (food stamps) during the same transaction, and then have the person in line behind you judge you for buying the ingredients to make a birthday cake?
People who disseminate false information about food stamps have never had to use food stamps.
The floating mountains of Onishi Yasuaki at Rice Gallery,
In his installation, "Reverse Volume of RG” at Rice Gallery in Houston, Texas, Yasuaki Onishi uses the simplest materials: with plastic sheeting and glue, he creates a monumental work. Mountains seem to float in space.
The process he calls “the invisible casting" implies a sheet of plastic wrap on a cardboard structure which is then removed to leave its mark. This process is reversed sculpture in the heart of the work of Onishi and reflections that are focused on a vision of nature as a negative space, abandoned.
These plastic sheeting semi-translucent and misty, held by thin black glue flows, fueling a vision of a fragile nature, although it seems huge.
When we assume that boys won’t read books with girls on the cover, and then institutionalize that assumption by leaving the “girlie” books out of award nominations (as well as school wide reads, story times, etc.), we insult them. By suggesting that on the whole our boys have a limited capacity for empathy, an inability to imagine a world beyond their own most obvious understanding, and an unwillingness to stretch.
In the same stroke, we neglect our girls. Not because they can’t read “boy books” (they do and will). But because when they see those awards, they also learn something —to accept a world in which they are rarely the central players. They learn, at a formative age, that the “best” books are the ones about boys.
It’s a problem. And when we play into it, when we accept it as THE TRUTH, we’re reaching for the simplest solution, not the best one. Because the best solution would require us to push against the gender bias in the world, and in ourselves. It’s easier to say, “Boys naturally gravitate to these things, and we want them to read, don’t we?” - Laurel Snyder